The Best of the Columbia Years 1943–1952
Frank Sinatra
1995: Sony/Columbia/Legacy C4K 65620
7 June 1943
with the Bobby Tucker Singers
5 August 1943
with the Bobby Tucker Singers
14 November 1944
14 November 1944
14 November 1944
with the Bobby Tucker Singers
1 December 1944
featuring Dave Mann, piano
3 December 1944
3 December 1944
with the Ken Lane Singers
featuring Yank Lawson, trumpet
19 December 1944
19 December 1944
29 January 1945
29 January 1945
with the Ken Lane Singers
29 January 1945
with the Ken Lane Singers
6 March 1945
6 March 1945
with the Ken Lane Singers
1 May 1945
1 May 1945
with the Ken Lane Singers
1 May 1945
30 July 1945
30 July 1945
30 July 1945
22 August 1945
22 August 1945
22 August 1945
30 November 1945
30 November 1945
7 December 1945
7 December 1945
7 December 1945
24 February 1946
10 March 1946
10 March 1946
10 March 1946
10 March 1946
28 May 1946
24 July 1946
30 July 1946
30 July 1946
30 July 1946
30 July 1946
8 August 1946
22 August 1946
24 October 1946
31 October 1946
17 December 1946
piano: Nat Cole; guitar: Bob Ahern; bass: Eddie Safransky; drums: Buddy Rich; trumpet: Charlie Shavers; trombone: Lawrence Brown; alto sax: Johnny Hodges; tenor sax: Coleman Hawkins; baritone sax: Harry Carney
9 January 1947
11 March 1947
11 March 1947
25 April 1947
with Dinah Shore and chorus
11 August 1947
11 August 1947
17 August 1947
19 October 1947
19 October 1947
22 October 1947
24 October 1947
with the Tony Mottola Trio
piano: John Guarnieri; bass: Herman Albert; guitar: Tony Mottola
26 October 1947
26 October 1947
29 October 1947
29 October 1947
31 October 1947
5 November 1947
featuring Bobby Hackett, trumpet
9 November 1947
featuring Bobby Hackett, trumpet
9 November 1947
4 December 1947
10 April 1948
with the Jeff Alexander Choir
14–15 December 1947
28 February 1949
10 April 1949
with the Ken Lane Singers
featuring Herbert Haymer, saxophone
6 May 1949
with Doris Day and the Ken Lane Singers
10 July 1949
10 July 1949
with The Pastels
10 July 1949
with The Pastels
15 September 1949
12 July 1950
with the Jeff Alexander Choir
10 March 1950
featuring WIll Bradley, trombone
14 April 1950
14 April 1950
14 April 1950
24 April 1950
21 September 1950
21 September 1950
with The Whippoorwills
9 October 1950
featuring Billy Butterfield, trumpet
9 October 1950
with The Whippoorwills
9 October 1950
featuring Billy Butterfield, trumpet
11 November 1950
2 March 1951
2 March 1951
27 March 1951
with the Ray Charles Singers
27 March 1951
19 July 1951
7 January 1952
with the Jeff Alexander Choir
7 January 1952
with the Jeff Alexander Choir
6 February 1952
3 June 1952
3 June 1952
17 September 1952
I’m not actually a big fan of this collection; I bought it because I wanted to explore the developmental journey of his voice and performance style (a journey that just got better and better as the years went on and both the polish and the roughness deepened, replacing the almost brash too-easy-ness of these earlier recordings) at a time when I happened to have some funds available for such an indulgence. I’d be content to listen to most of this collection, in doses, but I can’t say it’s a destination item in my world.
Having said that, I’ll confess that my favorite track here rates as such because for me it provides a guilty bit of fantasy: the obviously World War II soldier-to-his-buddy song “Don’t Cry Joe (Let Her Go, Let Her Go, Let Her Go)” plays out a little differently in my mind than was intended or indeed received by probaby all of its contemporary listeners (aside from possibly some gay Frankie fans). Let’s just say that Frank’s consoling voice develops the scene into more of a caress than just this vocal one, the way I hear it…very sweet, certainly plausible, definitely hot, arguably opportunistic, but actually appropriate and, again, sweet. (Don’t accuse me of sexualizing it, though: first because I’m not visualizing anything so explicit, rather just genuine affectionate consolation (again, though, arguably opportunistic), second because Sinatra’s singing IS so inherently sexy.
Um…the 76-page booklet’s introduction and essays are definitely a treat, too. Lotsa photos—even better, in this case.
Comments © 2019 Mark Ellis Walker, except as noted, and no claim is made to the images and quoted lyrics.